Caporales 100% de bolivia. The caporales dance Tundiqui, Saya and Negroes: The Caporales We are in the new time of Pachakuti: the everlasting return. From the return to the origins of the mythical word, this is warded off every time the feast is carried out. It is a return to the origins of humanity, where nature, heavens and earth co-inhabit: the alaxpacha and the Manqhapacha (above and below). Part of this new time is the chaos, the lack of acknowledgement of things and their surroundings. This is what happens with a culture translated to the Andes, as it is the Negro or afroyungueña (african-Yungas) culture. This is the source of the dances of Tundiqui or Negritos (Negroes) from which the Caporales (Foremen) dance originated. However, the Saya of the Negroes, the Tundiquis or Negritos of the Aymara and mestizos should not be confused, with the Caporales of the urban and middle class sector. The AfroYungueños They were foreigners and deinhabited, but the Divine Infinite, father of the have-nots and the humble offered them in heritance the territory of the Yungas, to share with the Aymara and mongrels. The populations of Coroico, Mururata, Chicaloma, Calacala - Coscoma, Irupana are now enclaves of the afroyungueña cultural production. Their original costume would start to cover with Aymara clothing. Since their social rent, they had strongly to fight against the colonial aggression and the exclusion. For this reason its cultural practices began to disappear, including ...
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